Katie Rudloff

Theatre Arts: Folktale Improvisation
Grade level: 6th grade
Approximate time: 45 minutes to an hour

Topic:
Theatre Arts:
Folktale. Children will present reader's theatre by improvising folktales from different countries.

Objectives:
Historical and Cultural Context
: Groups of students will produce an improvisation of a folktale story from an assigned reading of a folktale.

Aesthetic Valuing: Students will perform and discuss their improvisations with the rest of the class by performing it.

Artistic Perception: Students will perform their improvisations with the rest of the class using appropriate facial emotion, body movement, clear and loud voice and correct stage presence.

Rationale:
Learning about different cultures through improvisation is important for students. This gives children the opportunity to expand their minds and raise their cultural awareness. They can see that there are others who live among us that are from other cultures and that they are not much different from ourselves. By allowing children to learn about other cultures, they can enjoy the different cultural styles from around the world. They are able to recognize and appreciate the cultural differences of other cultures.

Strategy:
This lesson is both direct instruction and guided discovery.

Vocabulary:
Folktale: a story, usually of anonymous authorship and containing legendary elements, made and handed down orally among the common people.

Improvisation: the spontaneous use of movement and speech to create a character in a particular situation, usually without a script.

 

Introduction:
First, the teacher would ask the children how many of them have ever heard a folktale or know what folktales are? The teacher shares that a folktale is a story, usually of anonymous authorship and containing legendary elements, made and handed down orally among the common people. The teacher tells that students that they are going to do improvisations today. Improvisation is the spontaneous use of movement and speech to create a character in a particular situation, usually without a script.

The students will see an example of a folktale which everyone will read together. The folktale the students and teacher will read is from Turkey and is called The Most Wonderful Gift. After reading the folktale, the teacher asks questions to the class to ensure that they understood what the folktale was about. So class what was the main point of the story? What was the most wonderful gift? If we were going to act this out, what would be one way we could do it? Can I see some hands of volunteers who want to come up and help me improvise The Most Wonderful Gift. Then the volunteers and the teacher act out the folktale. Before the class performs the Most Wonderful Gift for the class, the teacher reminds the students some of the things they do during a performance. Remember to speak loud and clear, so people in the back can hear you. Make sure when you are up there that you position yourself, so everyone can see you and that you are talking to the audience. Stage presence is important. Don't be embarrassed and be expressive. If your character is crying or sad, show us that you are. Facial emotions tell the audience a lot about what is gong on.

Activity Sequence:
1. Divide the class into 3 or 4 groups depending on the class size, but have at least 4 or 5 students per group.

2. Each group receives and reads a small folktale that's written up like a story.

3. Each group discusses how they are going to perform the folktale for the rest of the class. Each performance must be at least five to seven minutes. Props can be used, but if you take anything out make sure you put it back.

4. Groups have about 10-15 minutes to practice.

5. Each group will perform their improvisation of the folktale in front of the class.

Closure:
The groups will perform their folktale for the rest of the class.

Clean-up:
No clean up would be necessary for this lesson, only if they made props for their improvisations. Scraps of paper would have to be thrown away. Scissors, tape, and staplers put back in their places.

 

Evaluation:

Class discussion: the teacher would ask questions related to the different folktales that they just learned about. What was the main idea of the folktales that we learned about today? Who can tell me what a folktale is. Tell me something that you learned today while listening to the folktales that you didn't know before? The teacher would then have them each write 2 or 3 specific things that they learned today from today's lesson on folktales. Artistic perception will occur during the presentations. The teacher will observe and listen for appropriate use of voice, facial emotion, body movement, and placement on the stage. Historical and Cultural context will also occur during the presentations. The teacher will observe that there is historical context being used in the improvisations. Aesthetic valuing will occur when the groups share their improvisations with the class. The teacher and the students will observe what the other groups have done with their folktales.

Materials:
Several folktales from different countries (1 for each group)
Some examples are:
The Gentle People: Argentina
A Drum: India
Urashima the Fisherman: Japan
Lighting the Way: Australia
Tuk the Hunter: Canada

Extension:
This could also be moved into an art lesson. The teacher could have each group draw a picture on butcher paper that describes their folktale. These could then be displayed around the classroom.

Reference:
Tales Alive! Ten Multicultural Folktales with Activities as retold by Susan Milord. Williamson Publishing. Charlotte, Vermont 1995.